
| When Tomorrow Comes - 1986 |


| Revenge is Eurythmics' all-time best selling album. That same year saw the duo embark on an ambitious world-wide arena trek, dubbed "The Revenge Tour". Several videos favoring more straight-ahead performing were filmed, to coincide with the tour. "When Tomorrow Comes" is a unusual performance video showcasing the look and style of the Revenge band. Simple effects, combined with the minimalist set and the editing techniques, create a dream-like feel. Annie is alternately sleepy and wide awake, echoing the lyrics of the song. Directed by Chris Ashbrook & David A. Stewart |


| Thorn In My Side - 1986 |


| "Thorn In My Side" is a bright, cartoon-like, color-saturated romp of a video set in a biker bar and featuring real Hells Angels as extras. Annie seems quite perturbed in this video at some former love, and her and Stewart crackle with electric energy. The band looks and sounds great - a fine performance video, vividly shot, and perfectly suited to the music. Directed by Chris Ashbrook & David A. Stewart |


| The Miracle of Love - 1986 |


| "The Miracle of Love" is composed of film that Dave Stewart shot whilst Eurythmics toured in support of Revenge. Interspersed with real news images, the video evokes a new meaning from the music. Cinema-verite style and definitely one for the art house crowd. Annie looks beautiful, shot outside amongst the trees, somewhere on tour. Directed by David A. Stewart |


| Missionary Man - 1986 |


| The amazing video for the hit single "Missionary Man", called "ultra-sensual" by Rolling Stone magazine, is a tongue-in-cheek look at the wages of sin. Experimental and advanced for its time, the omission of key frames from the final cut of the video resulted in the visually stunning robotic-like motions of Annie, Dave and the band. This song, with its ground breaking new wave and blues hybrid, still really hasn't been equaled. Directed by Willy Smax |


| View more stills from these videos at E on TV |


| Revenge |
